Zines, Pamphlets, Artists' Publications, and Chapbooks: The World of Self-Publishing & Small Press

March 25, 2024. By Marcy Dinius for JSTOR, about the The James Birney Collection of Anti-Slavery Pamphlets made available by Johns Hopkins University.

Aug. 15, 2024. by Chris Kelly for New York Times. Article about the partnership between U.S. Bank and T Brand Studio to distribute a zine about Black Excellence in the New York Times on Aug. 18, 2024. The zine form honors the alternative press of the Harlem Renaissance while focusing on how Black communities are creating intergenerational wealth.

Dec. 23, 2023. By Teresa Nowakowski for Smithsonian Magazine. Article about the exhibition "Copy Machine Manifestos" at Brooklyn Museum.

Sept. 8, 2022. by Lynn Trimble in HyperAllergic. “Pen and ink have revolutionized movements and culture and information sharing … they’re extremely necessary right now,” says Charissa Lucille, who runs Wasted Ink Zine Distro in Phoenix.

article by Christine Fernando in USA Today newspaper. Updated August 1, 2021.

2021. "Usually I like a staple-bound booklet best, but the labor of collating, stapling, and folding is my least favorite part of publishing. I wanted to avoid that. I also felt like a single, unfolded double-sided sheet might be enough anyway. I love the idea of one-page zines."

Dec. 9, 2021. In Capital Daily by Tori Marian, About a secret zine library living inside a carved-up library book.

Nov. 9, 2021. In Open Culture by Colin Marshall. The book, assembled circa 1985 as a pitching aid meant to show studios the extensive pre-production work Jodorowsky, producer Michel Seydoux, and their collaborators had done. “Filled with the script, storyboards, concept art, and more, the book is basically as close as anyone can get to seeing Jodorowsky’s version of Dune,” writes io9’s Germain Lussier. “But, of course, the director and his team only created a handful of copies and this was decades ago. This isn’t a book you can just get on Amazon.”

April 26, 2021. Newspaper Club website. No author.